Showing posts with label Hawaii. Show all posts
Showing posts with label Hawaii. Show all posts

Thursday, June 15, 2017

Ocean Liners: in Times of Peace and War

Asama Maru...Coming to America

Grandpa immigrated to America in 1929 on the maiden voyage of the Japanese liner, Asama Maru.  The $6,000,000 passenger ship carried over 800 persons:  between 222 and 239 first class passengers (accounts vary), 96 persons in second class, and 504 in third class.  It was the first Japan-made diesel engine ship and one of the fastest at the time traveling at 21 knots.  It took a little over 12 days from Asia to California.

Los Angeles Times display ad October 29, 1929
(Image courtesy of ProQuest Historical Newspapers)

This blogger's father's father arrived in San Francisco on October 24, 1929, six days before the crash of the New York Stock Exchange.  He mostly likely traveled from the starting point in Hong Kong on a third class ticket.

The next port call for the Asama Maru was Los Angeles on October 29th, and the anticipated arrival of the ocean liner brought with it economic optimism of closer relations with the Far East.  There was no way to foresee the ship's future:  employed in the Second World War as a "mercy" ship, then as a hell ship and then its sinking by a torpedo in 1944.

On its first time arrival in L.A. the ship was publicly opened to visits by the more than 15,000 people before it set sail back to the Orient on November 1st via San Francisco and Honolulu. 


Los Angeles Times article dated October 28, 1929
(Courtesy of ProQuest Historical Newspapers)


The Asama Maru's interior décor was a blend of western and Oriental rooms.  The ship sailed through the decade of the 1930s.

From 1939 brochure
(Courtesy of the Seaver Center for Western History Research, GC-1094)

1936 brochure
(Courtesy of the Seaver Center, GC-1094)

1930 ad
(Courtesy of the Seaver Center, GC-1094)

1930 ad reverse side with travel agent stamp out of Pasadena, Calif.
(Courtesy of the Seaver Center, GC-1094)

March, 1938 sales brochure
(Courtesy of the Seaver Center, GC-1094)

March, 1938 sales brochure
(Courtesy of the Seaver Center, GC-1094)

March, 1938 sales brochure stamped with still hopeful reminder of upcoming Tokyo Olympics
(Courtesy of the Seaver Center, GC-1094)


This 1940 brochure provided a Notice that due to the war in Europe, the Japan-Europe Service route was not in operation
(Courtesy of the Seaver Center, GC-1094)


Some History of American Ships on the Pacific Coast

Pacific Mail Steamship Co. operated several side-wheel steamers in the 19th century.  The SS Colorado (1864-1878) inaugurated in 1867 the company's first scheduled service to Hong Kong, with stops in Japan.  According to an anniversary calendar, the Colorado took travelers in search of fabric, tea, and spices.  Chinese migrant workers headed to Gold Mountain (California) made the return voyage.

From APL sesquicentennial calendar 1848-1998 picturing the SS Colorado
(Courtesy of blogger's personal collection)
Pacific Mail Steamship's SS The Great Republic (1867-1878) was among the last of the wooden side-wheelers taking passengers across the Pacific to Japan and later to Hong Kong (9.5 knots speed; 1,450 passengers of which 250 were first class).

Dollar Lines was another enterprise which in the early 1920s counted upon 90 percent of its transpacific passengers from Asia.  In 1925 Dollar Lines bought Pacific Mail Steamship.  During the Gilded Age, it operated luxurious ships boasting fine crystal, china and silverware in its dining rooms, grand pianos in the first class lounges.  By 1931, Dollar's SS President Hoover was the largest U.S. built passenger liner, with a telephone in each stateroom and private baths in first class.  It carried 988 passengers in four classes at a speed of 20 knots.

Air travel during this time was new - passenger flights began in the summer of 1929 by the Transcontinental Air Transport, Inc. (later to be named TWA).

Dollar Steamship Co. became known as American President Lines (APL) in 1938.  During the Second World War, APL managed ships for the War Shipping Administration, including its own APL liners.

Another line, Matson, concentrated on mainland to Hawaii service.  In 1927, its SS Malolo (1927) was the fastest in the Pacific Ocean at 22 knots.  Three other luxury Matson ships built between 1930 and 1932 were SS Mariposa, SS Monterey and SS Lurline.  Once the U.S. joined the war, Matson liners became a part of the war effort.

War Ships

Japan joined the Axis powers on September 27, 1940.  Japanese ships were conscripted into war service.  Similarly, when the United States joined Allied forces after December 7, 1941, American ships were adapted as troop carriers, hospital ships and freighters.

Mercy Ships of War

The Asama Maru had a role during the Second World War in the exchange of civilians among countries.  The Gripsholm Exchanges involved the return of citizens behind enemy lines, and the first took place with the Asama Maru in 1942 transporting American diplomats and their families, as well as some South Americans, who had been imprisoned since December 8, 1941.  Another ship, the Italian Conte Verde, simultaneously swept up Americans stranded in China.  The Asama Maru left Yokohama, Japan on June 25th, making further pickups at Hong Kong, Saigon and Singapore, where it met the Conte Verde.  Both ships departed for Lourenco Marques, Mozambique, with all of their lights on, illuminated crosses on the hind deck, and with the word EXCHANGE painted in large letters on the sides, arriving July 23rd. 

Arriving also was the Swedish MS Grispsholm which had carried Japanese nationals from New York and Rio de Janeiro.  The exchange took place on the 24th.  (In comparison to the Asama Maru that was Japan's first diesel-fueled passenger liner, the Grispsholm was a 1925 cruise ship and the first diesel-powered one to cross the Atlantic Ocean.)

Asama Maru was sunk by an American submarine USS Atule in the South China Sea on November 1, 1944.

Hell Ships of War

Among the luxury Japanese liners from the era of the 1930s, this blogger finds a brief web mention that the Asama Maru served as a hell ship.  These Japanese ships transported WWII prisoners-of-war from Japan-occupied lands - their intent to ship these POWs to Japan and other occupied territories for slave labor.

Another liner, Nitta Maru, formerly serviced the Japan-Europe passenger route (referenced in a previous image above), was converted during the war and served as a hell ship (documented is the transport of Allied soldiers from Wake Island to Japan in January of 1942).

Many other Japanese military ships served as hell ships, and this blog post serves to bring attention to the Arisan Maru that transported 31st Regiment Infantry Private Charles G. Vargas who hailed from the L.A. area.

(Image courtesy of J. Adame)


The Arisan Maru was a military ship, never a passenger liner, that set out carrying over 1,780 prisoners from Bataan, Philippines on October 11, 1944 destined for Formosa.  The men had already endured several years of hardship, brutality, and torture by the hands of their Japanese counterparts since the fall of the Philippines in 1942.

As the men were crammed onto the ship, they faced starvation, dysentery and continued torture.  Many began dying while the ship detoured for several days before the journey north.  The ship did not bear any signs indicating the transport of American and Allied POWs and other civilian prisoners, and on October 24, 1944 friendly fire torpedoed the ship.  Five soldiers survived, but Private Vargas and the rest all perished .  This was the greatest number of fatalities in a single instance at sea.

Private Vargas is remembered as a young resident of Simons, California, the brick-making company town near Montebello in L.A. County.  His profile in the American Patriots of Latino Heritage website states he was born in Santa Monica (Simons Brick Company had a plant located in Santa Monica, and quite probably Vargas was born there.)  Also listed are his three brothers, the oldest Alexander (born in Simons, 1920), and Charles' two younger brothers, Salvador (born in Santa Monica, 1926) and Ismael (born in Santa Monica, 1928) - the three brothers survived the war.  Out of all the profiles in the Latino Heritage site, this blogger only found a couple of soldiers who died on hell ships, one of which was Private Vargas.

At the war's Pacific Theater, the Death March of Bataan, the prison camps and the hell ships were bleak episodes in humanity, where war produced heinous and atrocious crimes by otherwise civilized men in otherwise peaceful times.  It is a mournful memory even 73 years later.

Grandpa was living in L.A. before he was drafted as a civilian worker following the attack at Pearl Harbor.  He worked in Kaneohe, Oahu.  Found in an old suitcase, he saved what appears to be a memento of his time on the island:

Pillow case souvenir

Friday, May 19, 2017

And the Oscar goes to...Li Ling Ai!

The 1942 Oscars ceremony was the first year that the Academy recognized achievements in documentary film.  One of two films which received a Special award (a certificate rather than a statuette) was Kukan, in which evil deeds by Japan were documented in 1940 -- one episode out of their years-long, relentless bombings targeting a city in China, then called Chungking.

Today a complete print of Kukan does not exist --  not even in the Academy of Motion Picture Arts and Sciences' film archive -- while the rich back story has been wonderfully uncovered by filmmaker Robin Lung in her own documentary Finding Kukan.

Kukan (1941, Adventure Films)

Kukan may have premiered in New York City at the World Theatre in June, 1941.  It also screened in Los Angeles at the Esquire Theatre at 410 No. Fairfax on August 15, 1941 and continued into September.  The Desert Sun, a California newspaper, advertised a showing at the Palm Spring Theatre in January, 1943.

The film made known to the American public of the plight of the Chinese, and it caught the attention of President Franklin Roosevelt.  One outcome of the film was a nation-wide drive to raise funds for the Chinese people.

From the Madera Tribune, August 27, 1941, of Gladys Ling Ai Li and Rey Scott
(Image retrieved from the California Digital Newspaper Collection)

Finding Kukan (2016, Nested Egg Productions)


Sunday at an encore "Best of the Fest" at the CGV Cinemas, Buena Park, Calif.
Finding Kukan was screened at the Visual Communications' L.A. Asian Pacific Film Festival, Sunday, April 30th.  This blogger was not able to make that screening, but thankfully an encore screening was happening the following Sunday, May 7th.

Afterwards Robin appeared at the Q & A moderated by VC's Abraham Ferrer.


Robin described her eight-year journey in the making of this film.  She pointed out that much of the film consists of an original music score by Miriam Cutler.  This blogger enjoyed the fluidity of the film with its visual feast of shadow performers portraying "shadow" Li Ling Ai and Rey Scott.


Li Ling Ai and Rey Scott

Who were Li and Scott?  Rey Scott was the writer and photographer who risked life and limb to document the chaos and carnage through the film, Kukan.  Li was surmised in Robin's documentary to have been the actual brainchild of the film, but she was only given onscreen credit as a technical advisor.

Li Ling Ai (Li was her last name) was Hakka-Cantonese Chinese and born in Honolulu in 1908.  She traded the Pineapple for the Big Apple by having settled in New York, and she died in 2003.  The filmmaker Robin was struck by their shared backgrounds, and she regretted having discovered Ling Ai years after her death.

Ling Ai was a college graduate, poet, playwright, dancer, singer, lecturer, and as Robin's film emphasized, she was a political activist and filmmaker, making her a pioneer in many of these accomplishments as a Chinese woman.  But she was also the first and only Chinese woman to host an American television show.  And she publish a memoir in 1972.  [Clarification 6/5/2017:  Anna May Wong starred in her own tv show in 1951.] 

Flamboyant in dress and appearance, she was outspoken and seemed to be comfortable in her skin though she experienced the usual prejudices.  In retrospect Ling Ai has been described endearingly as a drama queen, a diva, a badass.

She was born in Hawaii when it was a fairly new U.S. territory -- she spearheaded the idea for Kukan successfully, all while the American ban on Chinese was still in effect on the U.S. mainland (the Chinese Exclusion Act would be repealed in 1943) -- her ancestral China turned communist in 1949 -- her native Hawaii was admitted as the 50th state in 1959.

An ample amount of news publicity exists that helped Robin in piecing together the story, but these were mostly about the dashing adventures of Rey and his making of Kukan.  Ling Ai's contributions were elusive.

One of the most amazing finds during Robin's quest was tracking down the raw footage held in a Kansas salt mine (about two hours worth of film?) from the post-production manager for a 1993 Turner Broadcasting Station interview with Ling Ai for a special about the life of Robert Ripley (of Ripley's Believe It or Not).  Excerpts of the interview are included in Robin's film - Ling Ai appearing at age 85 - the interviewers intended her to only speak about Ripley but the salty diva veered off onto tangents concerning her own life.  Ling Ai was a co-host on Ripley's Believe It or Not, a national television show during the early years of broadcasting, and Ripley was her friend and associate.

The footage of Ling Ai enamored this blogger.  Perhaps more of the interview could be packaged for a future documentary.  In the meantime, there is a gem of a 26 minute audio of a radio interview with Ling Ai conducting a Chinese cooking lesson and is available on the Internet Archive.  Or more likely she was conducting a Chinese life lesson for listeners.

This blogger just received her used copy of Ling Ai's Life is For a Long Time, a Chinese Hawaiian Memoir, purchased online.  This 1972 work was actually about the immigrant experience of her parents and was also a pioneering first - the Asian American political movement began about 1968 - books about the Asian American experience trickled out in the 1970s, and this blogger took an Asian American history college course about 1975.  So Ling Ai's book, about the Asian experience, was groundbreaking, appearing a handful of years before Maxine Hong Kingston's 1976 book The Woman Warrior.  Because Ling Ai was not an academic as is Kingston (who is a California transplant living and teaching in Hawaii), Ling Ai went undetected on the literary world's radar.


In 1972 perhaps the ongoing war in Vietnam was on her mind.
  But her words could just as well apply to how many of us feel in any period of our lives -- like 2017


A comment made last month by Jefferson Beauregard Sessions III, the U.S. Attorney General, reminds one that Hawaiian islanders are considered to be on the fringe of the country.  Sessions was reacting to a judicial block on the Muslim travel ban by saying “I really am amazed that a judge sitting on an island in the Pacific can issue an order that stops the president of the United States from what appears to be clearly his statutory and constitutional power.”

This post appears on May 19th, Ling Ai's birthday!  And it is Asian Pacific American Heritage Month.